Through ink drawings directly on film, McLaren explores the rhythmic possibilities of boogie-woogie. This is the first part of his American phase, where the director improvises on a boogie-woogie, a very influential genre at that time.
Through ink drawings directly on film, McLaren explores the rhythmic possibilities of boogie-woogie. This is the first part of his American phase, where the director improvises on a boogie-woogie, a very influential genre at that time.