Catalogue

Baltazar

A child plays on the beach; we are in home-movie territory. For years I thought I had made a film-poem, without knowing how to explain it, until Gilles Deleuze created the concept of “perception-image”: 

A character acts on the screen and it is assumed to see the world in a certain way. But simultaneously the camera sees him, and sees his world from another point of view which thinks, reflects, and transforms the viewpoint of the character […]. In short, perception-image finds its status, as free indirect subjective, from the moment that it reflects its content in a camera-consiousness which has become autonomous (‘cinema of poetry’).[Gilles Deleuze, Cinema I: The Movement-Image. Trans. Hugh Tomlinson and Barbara Hammerjam. (Minneapolis, MN: University of Minnesota Press, 1986) p. 74.]

The persistence of the last take is unexpectedly transformed for the cameramen into a reflection on the tension between what is in the frame and what is outside it. The action was captured without a plan or time measurements; the events determined the duration. 

autors
Claudio Caldini
Year
1975
Country
Argentina
Duration
3' 11''
Support
Single 8mm

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