Albert Elduque is a Reader in Audiovisual Communication at Pompeu Fabra University, where he lectures in the "Evolution of Visual Languages". His work focuses on the relations between intermediality and cinema, modern political cinema, the representation of national identity and music documentaries, particularly in the case of Spain and Brazil. He's published articles on cineastes such as Júlio Bressane, Leon Hirszman, Pier Paolo Pasolini, Rainer Werner Fassbinder, Werner Herzog and Marta Rodríguez, as well as on film censorship and folkloric Spanish actresses. From 2016 to 2019 he was a postdoctoral researcher on the project "Towards an Intermedial History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method" at the University of Reading (United Kingdom), and since 2016 he's been one of the editors of the journal Comparative Cinema, published by Pompeu Fabra University.