“Seeing Red” is one of Su Freidrich’s most deeply personal films to date. Friedrich takes a look back at her evolution both as a woman and as an artist, tackling her own insecurities via several on-camera diary entries. While “Seeing Red” is a film about the existential crises of the individual, it is also a film about what unites all humanity and what unites humanity with all the matter surrounding us. Friedrich accomplishes these two objectives using three elements: monologue, montage, and music.
Source: Outcast
