This programme journeys through the artistic possibilities that come to life between images, thanks to editing inventions. Presenting images in a heterogeneous arc —with their differences and collisions— of short pieces by great filmmakers, running through characteristic ideas of their artisan work and thinking about the material: how to venture and travel though the images, interpreting them; how to reveal visions and perceptive worlds with the camera, in the face of our pictorial inheritance; how to conceive the relation between image and text, the experience of poetry and cinema; how to create an emotional time by filming bodies, nature or landscape.
Mozonosti Dialogu, Jan Svankmajer, 1982, 10 min
Unsere Afrikareise, Peter Kubelka, 1961-1966, 16 mm, 12 min
Un voyage en Mer du Nord, Marcel Broodthaers, 16 mm, 4 min
Sailboat, Joyce Wieland, 1967, 3 min
Bouquet 4, Rose Lowder, 1994, 16 mm, 1 min
4000 Frames. An Eye-Opener Film, Arthur and Corinne Cantrill, 1970, 16 mm, 3 min
Video Self Portrait, Arthur and Corinne Cantrill, 1971, 16 mm, 6 min
L’arrivée, Peter Tscherkassky, 1997/98, 16 mm, 2 min
Castro Street, Bruce Baillie, 1966, 16 mm, 10 min
Vivir para vivir/Live to Live, Laida Lertxundi, 2015, 16 mm, 11 min
Study of a River, Peter Hutton, 1996-97, 16 mm, silent, 16 min
Time Being, Gunvor Nelson, 1991, 16 mm, 6 min
August and After, Nathaniel Dorsky, 2012, 16 mm, silent, 18 min
