How does a cinema director work, think, direct, how is he surprised or get angry? It is seen in their gestures, rhythms, voice: in the acid rigour, in the excitement with the palpitation of his actors, in the agility, in reflection (theoretical and practical). For almost 10 years «Cinéma cinémas» has gathered the acts, images and words of directors, actors, script writers and producers. The session opens with brief portraits of C. Th. Dreyer, M. Snow and P. Costa.
Carl Dreyer, Jonas Mekas, 1965, 1 min.
Michael Snow (cinematón nº44), Gerard Courant
Pedro Costa (cinematón nº2146), Gerard Courant
Selecció de peces de Cinéma cinémas (1982-1985): shootings and portraits of Jean-Luc Godard and Orson Welles, among others.