An introductory approach to the history of experimental cinema through which to discover the main milestones, the most influential currents and some of the most radically free filmmakers of this anti-industrial, imperfect, imaginative, sensory and playful cinema.
Dates: February 27, March 10, April 14 (sold out), May 12.
Cinema Without a Camera
There is no need for a camera to make a film. The works of Man Ray, Len Lye or Stan Brakhage prove that the artistic exploration of the possibilities of the cinematographic medium exceed the act of filming. Either through direct animation, in the case of Norman McLaren, or by darkroom work and manual contact printing, like Peter Tscherkassky, this group of films bring both technical and expressive innovations.
Dates: February 24, March 20, April 21 (sold out).
We're here, we're queer. Experimental LGBTIQ+ Cinema.
Such free and radical cinema has historically been the perfect medium for dissident discourses and sensibilities. A personal, amateur, anti-industrial cinema associated with experience and intimacy, through which "deviant" perspectives on gender and sexuality are expressed.
Dates: March 27 (sold out), April 28 (sold out), May 15.